Plot Summary

Azul no Azul is the result of the encounter between painter Nelson Ferreira and filmmaker Gianmarco Donaggio. Blue is the liminal space where the motion traverses the static, painting meets cinema, and dynamic tension liberates dreams. Blue, in the film, is not a statement nor a colour, but rather the emergence of a feeling. An empty canvas for the viewer to engage within the contraction and expansion of the light flux.